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I need complete attention and focus to consistently remember what I’m doing from one print to the next. This translates into a viewer comfortably standing about 10 inches away from a 4x5inch print and 3 1/2 feet away from a 16x20 inch print. Standard four bladed easel, paper-cutter, safe-lights, fresh air fan, plastic sink, (I don’t know who makes it, but it’s about the fourth or fifth one I’ve had), print washer, print drying screens and some sort of music system. I usually pin them up on my bulletin board and I live with them for as long as I can before actually printing them. I suspect both - over so many years, twenty or thirty, it is possible to radically change one’s vision. EN – Michael Kenna (born 1953) is an English photographer best known for his black & white, unusual, landscapes with ethereal light achieved by photographing at dawn or at night with exposures of up to 10 hours. Michael Kenna et Hasselblad. Michael is equally dedicated to the darkroom and makes his own prints ensuring a subdued, intimate atmosphere in every image. ", Michael Kenna - Swings, Catskill Mountains, New York, New York, USA, 1977. The exhibition, shown in 1975, introduced British audiences to many classic modern photographers, including a strong showing of Americans: Alfred Stieglitz, Paul Strand, Edward Weston, Ansel Adams, Brett Weston, Minor White, Aaron Siskind, Harry Callahan, Eliot Porter and Paul Caponigro, among others - plus fine works by Brandt’s favourite Parisian photographers, Man Ray, Jacques-Henri Lartigue and Brassaï. Grand Palais, Paris, France. Printing was a subject area that particularly fascinated me. I am working on a comprehensive review of the Hasselblad 907X 50c camera but I thought I would share with you my first, rather random, thoughts after shooting with this new system for the last five days. He has had shows in Africa, Asia, … I find that living with an image, even though it’s just an RC work print, helps me to understand ahead of time some of the questions that will be asked later in the printing stage. While Kenna shoots his commercial work with digital cameras, he has become renowned for the fact he shoots all his personal work on medium format Hasselblad 500CM film cameras. What do I do with elements which are unimportant or distracting? There wasn’t much theory - for example I knew very little about the history of photography when I first moved to the States. You did a lot of nighttime shooting with long exposures. Michael Kenna looks for simplicity in his composition, moving closer or framing the subjects to get rid of extraneous objects. I can stay in the darkroom for many hours exploring a new negative. When I photograph, I look for what is significant to me, what resonates with me, touches me. For some projects, he uses a Holga camera and even a 4×5 large format camera. Over fifty books, monologs and catalogs have been published on his work. I don't have anything against social media but I find my days are already full, and I can't even keep up with emails, so I haven't, and probably will not, embrace further [online] socializing. Does doing so affect your film development? Bill Brandt later in life printed his negatives with much more contrast.

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